![]() Documented from this period are also several residential and office equipment. He made numerous designs for all areas of arts and crafts such as jewelry, porcelain, glass, fabrics and wallpapers. The Darmstadt publisher Alexander Koch became aware of him and published from 1907 Margolds designs in various journals.The 1911 Margold was appointed to the Darmstadt Artists’ Colony and established a studio in the Ernst-Ludwig-Haus. During the study period Margold participated in numerous Ideenwettbewerben. He then became assistant Josef Hoffmann at the master class and employees of the Wiener Werkstätte. ![]() 1908-10 he carried out works in Bohemia and Austria. He then studied at the School of Applied Arts in Mainz Anton Huber, then at the Academy of Fine Arts Vienna in the Master School of Architecture at Josef Hoffmann. The architect, designer for the arts and graphic artist Josef Emanuel Margold was trained as a carpenter at the College for woodworking in Königsberg an der Eger. “Schwarzlot” was a labor intensive technique used in artistically painted glass in Bohemia immediately following the turn of the 20th Century and through the 1920’s. This technique also has a similar coloration to the liquid form metallic used in the silver / jewelry technique “Niello”. The piece is than “fired” and the painted surface creates a soft iridescent metallic charcoal grey surface. ***The “Schwarzlot” technique is finely pulverized iron that is in liquid form and painted as the graphic design. ![]() ![]() 202 – 210 Glaskunst der Moderne: von Josef Hoffmann bis Wilhelm Wagenfeld, Torsten Bröhan (Munich: Klinkhardt & Biermann,1992), Stylized birds perched in highly stylized scrolling vine motif, abstract geometric circular forms and concave carved “windows”, “Schwarzlot” technique further accented with gilt highlightsįor more information see : Das Böhmische Glas 1700-1950, Band IV Jugendstil in Böhmen, Alena Adlerová, c.s. ![]()
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